Behind Every Piece Is a Person
In Córdova’s work, the personal becomes universal. Her sculpture Araña, acquired by the Smithsonian, depicts a woman entwined in roots—a metaphor for connection to ancestral land. In Eva, she sculpted her daughter over 15 years using Puerto Rican soil pigments. In El Rey, she embedded hurricane debris, turning it into symbols of grief and resilience
“For me, clay is the language that helps preserve what would otherwise be lost,” she says.
Born in Boston and raised in Puerto Rico among Catholic imagery, she left a career in engineering to explore cultural memory and identity through clay. Her hyperrealistic sculptures hold raw emotion, balancing strength with vulnerability. They reflect not just personal, but collective traumas—from colonial histories to climate disasters.
That’s why artists like Cristina Córdova stand out.
Independent art isn’t mass-produced. Every object is born from someone’s unique point of view. When we pick it up, we’re literally holding someone’s story.
Mass market teaches us to follow trends—but ends up making us all the same. Independent artists don’t chase trends. They create with soul, with story.